Mass in B Minor, BWV232, No. 19: Et in spiritum sanctum

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Missa: VII. Coro "Wir danken dir, Gott, wir danken dir". Missa: VIII. Missa: IX. Qui tollis peccata mundi catch all for arrangements is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei". Missa: X. Missa: XI. Quoniam tu solus Sanctus catch all for arrangements. Missa: XII. Coro "Sicut erat in principio". Symbolum Nicenum: I. Symbolum Nicenum: II. Coro "Gott, wie dein Name, so ist auch dein Ruhm". Symbolum Nicenum: III.

Symbolum Nicenum: IV.

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Symbolum Nicenum: V. Coro "Weinen, Klagen, Sorgen, Zagen". Symbolum Nicenum: VI. Symbolum Nicenum: VII. Symbolum Nicenum: IX. Coro "Jauchzet, ihr erfreuten Stimmen". Henry Wood. Agnus Dei catch-all for arrangements. Elizabeth Wilcock violinist track 6. Sophia McKenna oboist track Lisa Beznosiuk flautist track 8. Michael Thompson British horn player and conductor track Michael Chance British countertenor track Stephen Varcoe bass-baritone tracks 11— Monteverdi Choir tracks 1, 3—5, 7, 9.

Sir John Eliot Gardiner tracks 1— English Baroque Soloists tracks 1— Nancy Argenta soprano tracks 6, 8. Lynne Dawson soprano track 2. Howard Milner track 8. Qui tollis peccata mundi catch all for arrangements track 9. Quoniam tu solus Sanctus catch all for arrangements track Coro "Wir danken dir, Gott, wir danken dir" track 7.

Coro "Schauet doch und sehet, ob irgendein Schmerz sei" track 9.

Mass in B minor

Coro "Gloria in excelsis Deo" tracks 4—5. Coro "Sicut erat in principio" track Kyrie eleison track 1.

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Christe eleison track 2. Kyrie eleison track 3.

Gloria in excelsis Deo track 4. Qui tollis peccata mundi track 9. Et in terra pax track 5. Laudamus te track 6.


Gratias agimus tibi track 7. Domine Deus track 8. Qui sedes ad dextram Patris track E] could not have been better served, not to mention two English Renaissances, as well as our own time. It went beyond mere intelligent programming and committed performance, enriched by a deep sense of the mutual nourishment of music and faith.

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Check out Mass in B Minor, BWV No. 19, Et in Spiritum Sanctum Dominum by Klaus Mertens on Amazon Music. Stream ad-free or purchase CD's and MP3s . Mass in B Minor, BWV No. Credo - Et in Spiritum Sanctum, a song by Johann Sebastian Bach, English Chamber Orchestra, Amor Artis Chorus.

If it has flaws, they are like those that distinguish a fine emerald from the perfect clarity of a fake The more than vocalists displayed clean tone, excellent pitch and blend, and kept good tempo even in the most stressful numbers…outstanding, energetic and crisp. The orchestra was a collection of top freelancers from around the Eastern Seaboard including several from Washington… baritone Dashon Burton, was the standout.

He has a clarion instrument that projects well throughout his range…a splendid dramatic performance. Greg Funfgeld has trained his singers to articulate words crisply, dance lightly when the music must move and blend elegantly. Charles Daniels stands out as a poetic and powerful Evangelist, William Sharp as a warmly inflected Jesus and Julia Doyle as a shining champion of the soprano arias.

The hauntingly beautiful voices of Taylor and Zsigovics—she in her festival debut—melted together like two precious metals, hers of bell-like clarity, his a more complex alchemy, with a sheen like liquid mercury. The conductor, orchestra, soloists, and chorus are eminently capable of the nuances of the rich harmonic texts …spirited and vivacious…It is not likely to get any better than this on this side of the Atlantic. It also blends seamlessly with the excellent modern-instrument Festival orchestra which Greg Funfgeld conducts with an obvious knowledge of, and sensitivity to, modern performance practice.

The work of the soloists is excellent, too…Excitement, dedication, power—all things that we hear more and more seldom in Bach cantatas—lend distinction to this beautiful and well-produced recording. Greg Funfgeld…has revitalized this Pennsylvania institution, and Dorian is doing well to document its vibrancy in a recording series… genuine honesty and intelligence informs this performance…Funfgeld has forged a fine body of singers and players…tightly disciplined ensemble …rousing spirit and sacred joy aplenty.

This recording will not disappoint.

Introduction & Program

The Bach Choir of Bethlehem gives him all he could have wanted. The Bach Choir gratefully acknowledges and thanks our sponsors and media partners for supporting our organization and the arts. Credo in unum Deum, Patrem omnipotentem, Factorem caeli et terrae, Visibilum omnium, et invisibilium. Et ex Patre natum ante omnia saecula.

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Deum de Deo, lumen de lumine, Deum verum de Deo vero. Genitum, non factum, Consubstantialem Patri: Per quem omnia facta sunt.

BWV 232 - Mass in B Minor (Scrolling)

Qui propter nos homines, Et propter nostram salutem Descendit de caelis. Crucifixus etiam pro nobis: Sub Pontio Pilato passus, sepultus est. Et resurrexit tertia die, Secundum Scripturas. Et ascendit in caelum: Sedet ad dexteram Patris. Et iterum venturus est cum gloria, Judicare vivos et mortuos: Cujus regni non erit finis.

Et unam sanctam catholicam Et apostolicam Ecclesiam. Confiteor unum baptisma In remissionem peccatorum. Et expecto ressurectionem mortuorum. Et vitam venturi saeculi. I believe in one God, Father almighty, Creator of heaven and earth, All things seen and unseen. Born of the Father before all ages. Begotten, not made, One in being with the Father: Through Him all things were made. For us men. And for our salvation He came down from heaven. And ascended into heaven: He sits at the right hand of the Father. And He shall come again with glory To judge both living and dead: of His kingdom there shall be no end. Who with the Father and Son is adored and glorified: Who spoke through the Prophets. And in one holy catholic and apostolic Church. I confess one baptism For the remission of sins. And look for the resurrection of the dead. And the life of the world to come.